A Democratic donkey on a Boston pier holds a fork beside a massive oyster shell labeled allegations that has engulfed a bearded man wearing a Platner for Senate shirt. The scene references the candidate's Senate bid being blocked by recent allegations, with the donkey remarking that something smelled fishy all along. The cartoon uses the oyster bar pun and pier setting to highlight the scandal's impact on the 2026 race.
A large commercial jet labeled Trump Family Grift and marked with a billions seal carries figures in its windows while a small biplane labeled Hunter Biden crashes into its nose. Debris flies as the biplane breaks apart. A speech bubble from the jet asks if anyone heard something. The July 2026 cartoon by Rick McKee uses the collision to contrast family business dealings and past scrutiny on the Biden family.
The cartoon depicts two sailors aboard a ship trapped in the Strait of Hormuz due to a naval blockade. One laments the weeks-long delay and wonders if conditions can worsen. The other reports a hantavirus outbreak on board. The image responds to ongoing tensions involving Iran and disruptions to global oil routes. As of the May 2026 publication date, the blockade has halted tanker traffic and strained energy markets. The added health crisis underscores the compounding risks for crews and supply chains. The visual ties geopolitical conflict directly to immediate human and economic consequences.
Gary McCoy's cartoon captures a family moment where a young son hands his mother a lit bomb marked GAS, exclaiming Happy Mother's Day, while she thanks him enthusiastically. The image ties into tags like Mom, mother, Mothers Day, gas, oil, petro, prices, economy, inflation. It highlights the burden of rising energy costs on families, with the explosive gift symbolizing volatile fuel markets. Amid references to Iran, strait of hormuz, Trump, the satire underscores how global tensions affect everyday life, blending holiday cheer with economic reality in a straightforward, exaggerated style typical of political cartoons.
Bill Day's cartoon captures two suited figures, labeled Hegseth and Patel, in a moment of apparent revelry. Hegseth, on the left, bellows 'SHOTS!' from a speech bubble, his expression intense and caricatured. Patel, to the right, responds with a thought bubble pondering 'WHISKEY or TEQUILA?', his face drawn with wide eyes and a beard. The artwork, signed by Bill Day and linked to CagleCartoons.com, uses simple lines and shading for a classic political cartoon style. Tags such as shots, whiskey, tequila, Hegseth, Patel, and correspondence dinner frame the scene, suggesting a lighthearted jab at social or political gatherings. The white background keeps focus on the characters and their dialogue, emphasizing the pun on 'shots' without additional context or props visible.
Taylor Jones draws a bottle of Mezcal Gusano FBI, labeled as a producto de MAGA, with a worm at the bottom that has the face of Kash Patel, eyes wide and mouth open in apparent freak-out. The image plays on the tradition of mezcal with a gusano, or worm, inside the alcohol bottle, tying it to political themes of FBI director, justice department, and law enforcement. The worm's expression suggests inebriation or passing out, evoking ideas of drunkenness and dereliction of duty. This satirical take uses the moth larva in agave booze to comment on the 100 proof intensity of MAGA influence in such appointments. The cartoon stays simple, focusing on the bottle and its contents without added context.
The cartoon shows a caricature of President Trump on one grassy cliff, gripping a vine with leaves that connects to a white dove in the center, while a figure resembling Pope Leo stands on the opposite cliff, also pulling the vine. They face each other across a deep chasm, with cloudy skies above. Tags like war, peace, dove, Iran, Middle East, and Church underscore the visual tension. The artists, Margolis & Cox, place their signature prominently. This setup captures a straightforward conflict over a peace symbol, without hidden layers. The dove hangs upside down, wings slightly spread, as the two figures strain. No emotions or backstories are added; it's just the visible pull between suited man and robed leader.
Dick Wright's political cartoon depicts a Pope-like figure in white attire, extending a thin rod toward the rear of a massive brown bear, complete with a dangling red tie and sparkling effects at the point of contact. The yellow label reads 'POKING THE WRONG BEAR,' playing on the idiom with a twist. This satirical illustration ties into the Trump-Pope feud, using the bear as a stand-in for power, the red tie evoking Trump's signature look, and the poking action suggesting provocation. Cartoonists often employ such animal metaphors for political commentary, and Wright's style here delivers clear lines and exaggerated features for impact. The image avoids overstatement, sticking to visible elements like the bear's claws and fur details, making it a straightforward jab at ongoing tensions.
The cartoon shows a hand extended, wearing a ring shaped like a yellow gas can with an X, sparkling as if it's a precious diamond. Red nails add a touch of glamour to the scene against a plain background. This straightforward image pokes fun at oil prices skyrocketing, turning everyday fuel into something as valuable as jewelry. Tags like fuel luxury, energy satire, gasoline bling, petroleum parody, high costs humor, and economic pun capture the dry wit here. Cartoonists Plop and KanKr keep it simple, letting the visual speak without overcomplicating the message. It's a classic setup for editorial pages, reminding readers how energy crises make basics feel extravagant.
Ed Wexler's political cartoon captures Trump in a moment of satirical glory, mouth agape as he shouts 'Camel. Elephant. Doctor.' while pointing to a flipchart with crude drawings: a camel, an elephant, and a haloed Jesus figure in red robes, arms raised. The caption below reads 'Aced Another Cog Test!' blending Trump's real-life boasts about cognitive exams with absurd humor. Tags like Trump cognitive test, satirical illustration, Ed Wexler cartoon, Trump elephant camel doctor, humor Trump mental acuity, and political humor Trump health claims underscore the cartoon's sharp commentary on public perceptions of Trump's mental sharpness, delivered in classic cartoon style that's direct and unsparing.
Joep Bertrams captures the Strait of Hormuz tensions with a caricature of Donald Trump sinking in concrete shoes marked blockade, bubbles rising from his open mouth as a fish in a black hat nibbles his red tie. The underwater setting features a cracked wall labeled Hormuz, emphasizing the sunk metaphor for diplomatic failures. Tags like Iran, concrete shoes, and fish highlight the satirical take on US-Iran relations, with the caption State of Affairs underscoring the dire situation. This cartoon from 2026 blends humor and commentary on potential blockades, showing Trump in a blue suit against a murky seabed.
Pat Bagley's cartoon depicts a hellish scene labeled MAGA heaven, where a large Trump caricature stands on a black pedestal marked with a T emblem, arms raised amid orange flames. A crowd of small figures, many in red MAGA hats, reach up with the speech bubble declaring, 'But we sure did own the libs!' A devil figure hovers in the background with a pitchfork. This satirical take highlights political fervor through fiery imagery, red hats, and triumphant irony in damnation.
John Darkow's cartoon captures the Artemis II crew gazing through their spacecraft window at the far side of the moon, where craters frame an unexpected sight: the Midvale School for the Gifted from Gary Larson's The Far Side, complete with a striped-shirted figure fumbling at a 'pull' door on stairs. Tagged with artemis ii, moon flyby, far side, gary larson, nasa, space, and science, the image blends real space exploration with absurd humor. One crew member exclaims excitement, labeled with Artemis II Crew and NASA markings. This satire highlights the blend of high-stakes missions and pop culture whimsy, poking fun at what astronauts might hope to find beyond the visible lunar surface. The dry wit underscores how science fiction tropes collide with actual programs like Artemis II.
Gary McCoy\\\'s political cartoon depicts two figures in white coats, one pointing to a chalkboard with a speech bubble explaining a solution to Artemis II toilet problems via a 30-day pre-flight diet of Swiss or cheddar cheese. The board features a bloated astronaut sketch, a cheese cube, and a crossed-out toilet, poking fun at NASA engineering woes. This space mission satire uses dry humor to comment on technical glitches in the Artemis program, with tags like NASA Artemis II toilet problems, engineers solution Artemis mission, space mission pre-flight diet, Gary McCoy cartoon, cheesy diet fix, and humorous take on NASA solutions. The image stays light-hearted, focusing on visible elements without deeper speculation.
This daryl cagle political cartoon shows a highway split with signs for iran war upward and off ramp rightward, where a usa license plate car drives into an explosion. The car\'s speech bubble says, \'SIR, YOU BLEW UP THAT INFRASTRUCTURE ALREADY... NOW ON TO PLAN #38!\' highlighting satirical destruction. Amid grass and road lines, the image mocks usa iran conflict satire through off ramp infrastructure destruction cartoon, emphasizing failed exits in political cartoon usa foreign policy. The irreverent style captures highway to iran war illustration with humorous despair over repeated plans.
