On June 19, 2026, a cartoon shows Donald Trump at a podium criticizing U.S. border policies for barring or harassing World Cup players, fans and officials from Iran, Senegal, Morocco, Uzbekistan and Somalia. He asks what FIFA thinks of the situation. In a separate panel Trump urges Gianni to speak out while a figure labeled FIFA kneels at his feet. The image responds to ongoing enforcement actions near the 2026 tournament.
A two-panel cartoon contrasts a living room discussion of Eisenhower's order for German civilians to tour Nazi camps after World War II with a suburban scene featuring a large ICE detention facility adjacent to homes. One resident deflects when asked why the historical example was raised. The image highlights proximity of such facilities to neighborhoods and reluctance to acknowledge operations conducted in the community's name.
A physician in a lab coat points to a medical screen displaying Donald Trump's profile with an exposed brain labeled bone spurs. The speech bubble declares the diagnosis as the source of the problem.
On May 2 2026 the cartoon depicts the Roberts Court as a bird-like figure shattering the Voting Rights Act. The image shows the court releasing multiple Jim Crow labeled birds into the air. This visual responds to ongoing Supreme Court actions affecting voting access and redistricting rules.
The cartoon depicts a guitarist on a stage with blue curtains and yellow backdrop singing about an unwinnable war with Iran followed by a blockade of the Strait of Hormuz that leads to higher petrol prices. Four audience members sit in the foreground. The scene uses simple lines and watercolor tones to show the performer with a music note floating nearby and a microphone stand to the side.
Pat Bagley's cartoon shows JD Vance dressed as Jesus, labeled 'VANCE,' swinging a massive wrecking ball to shatter a brick wall marked with signs pointing to 'STATE' and 'CHURCH.' He shouts 'STAYETH IN THY LANE!' at a figure resembling the Pope, who holds an olive branch and dove, symbols of peace. In the background, the U.S. Capitol flies an American flag, while a church with a cross represents the Vatican. Tags like war, peace, JD Vance, religion, Trump, and scripture underscore the satire on blurring lines between church and state, with Vance enforcing boundaries ironically through destruction. The image critiques political figures invoking religion amid Capitol politics.
Taylor Jones draws a bearded man in an FBI jacket with wide eyes, standing next to a smiling woman wearing a cowboy hat marked FBI Accessory, her arm around him as she holds a guitar. Empty bottles and cans are scattered on the ground, suggesting drunkenness. The speech bubble contrasts one with actual talent and a friend who needs a ride home against the other who directs the FBI. Tags like Kash Patel, Alexis Wilkins, country music, Nashville singer, corruption, and incompetence frame this political cartoon's jab at abuse of office and justice department issues.
On October 21 2025 John Darkow depicts Donald Trump operating a large excavator labeled TRUMP that is actively demolishing a classical building marked AMERICA. Rubble and dust scatter as the bucket strikes the structure. A quote about stars being allowed to do anything appears beside the cab. The scene references ongoing White House renovation discussions and executive actions in late 2025.
On May 29, 2025, John Darkow's cartoon portrays the White House as a commercial operation where pardons are sold and all visitors must pass through a grift shop. The drawing responds to ongoing concerns about monetization of presidential powers during the Trump administration. A figure carrying a briefcase approaches the entrance beneath signs advertising pardons for sale.
A young boy carrying an Easter basket stands before a large empty tomb carved into a rocky hillside and asks where the Easter bunny is. The April 1, 2021 cartoon by Bruce Plante uses the New Testament resurrection setting to contrast commercial holiday symbols with the original religious event, adding a footnote that the bunny is not the reason for the season.
The cartoon depicts Donald Trump driving a compact car alongside a large bus decorated with Republican stars and an elephant logo. Passengers inside the bus wave as Trump declares he must occupy the driver's seat. A sign directs complaints about driving to Sen. Lindsey Graham. Published July 23 2015 the image captures the early stages of the Republican presidential contest after Trump entered the race the prior month.
The cartoon shows a large John McCain figure holding strings attached to a small Lindsey Graham figure. Graham's speech bubble states distrust of Susan Rice. The title references Maverick Puppet Theater. McCain and Graham are depicted in dark suits with red neckwear. The scene is set against a plain background with a signature by T. Jones.
Taylor Jones cartoon from December 2010 shows John McCain as puppeteer directing Lindsey Graham, commenting on their Senate partnership during a period of Republican internal dynamics.
