Christo Komarnitski's cartoon captures Trump in a vulnerable, naked state, wearing only a red cap and holding a staff topped with a globe, symbolizing perhaps world domination ambitions. He drags a long train labeled 'Epstein list,' tying into scandals from Epstein connections. Facing him is King Charles III, depicted in formal attire with a crown, during what metadata calls a Trump UK visit. The tags like USA, UK, royal, crown highlight the diplomatic yet satirical encounter. Dry humor shines through the exaggerated features and absurd situation, poking at political figures' baggage. This piece fits political cartoon traditions, blending current events with visual wit.
This political cartoon by Margolis & Cox depicts a bearded man wearing an FBI shirt and large hat, wielding a hot branding iron to mark a blue donkey with 'LIARS.' The donkey, symbolizing Democrats, lies on the ground tied with a rope, grimacing in pain as sparks fly from the brand. Smoke rises from the contact point, emphasizing the heated accusation. Dated 2025, the artwork critiques political deception through bold imagery. Tags like Kash Patel FBI, Democrats liars, political satire, branding iron cartoon, Democratic donkey, and conservative humor underscore its pointed message on partisan conflict.
This political cartoon captures a moment of satirical diplomacy between caricatures of King Charles and Donald Trump, both donned in ostentatious royal garb. The Trump figure sports a crown emblazoned with 'Ke America At Again,' a clear nod to his famous slogan, while shaking hands with the stern-faced King Charles. Set against a simple background, the artwork highlights themes of US-England relations, Europe-US tensions, and the pomp of leadership. The dry humor underscores the absurdity of political ostentation in the reign, blending American bravado with British tradition in a straightforward line drawing by Becs. Tags like Donald Trump Administration, King Charles, and ostentation in the reign frame this piece as timely commentary on transatlantic ties.
The political cartoon by Bob Englehart depicts Honorable Kash Patel seated at a congressional hearing table, his nameplate clear in view. With exaggerated pointed ears, a large nose, beard, and wide-eyed surprise, Patel wears a dark suit and red-striped tie. A curved vaudeville hook extends from the right, poised near his head, suggesting an abrupt removal. The dark gradient background adds drama to this satirical take on congressional testimony. Tagged with Kash Patel congressional testimony cartoon, Bob Englehart satirical illustration, vaudeville hook in political satire, exaggerated features in editorial cartoon, 2025 political cartoon on hearings, and Cagle Cartoons nomination satire, the image captures dry humor in political critique without overstatement.
The cartoon shows a blonde man in a white robe and flip-flops, puffing smoke, standing on grass with a glowing triangular light overhead. He holds a small crown toward a kneeling figure in purple robes, crown, and red cape on a red carpet. London icons like Big Ben, the Gherkin, and London Eye fill the dark sky background. Tags such as Trump, King Charles, UK, Fascism, God, and Visit frame this direct visual. The scene stays straightforward, with no hidden layers beyond the visible elements. Kamensky's style keeps it clear, poking at power dynamics without overcomplicating the obvious setup.
On September 15 2025 two news anchors appear at a studio desk preparing to deliver the latest inflation and unemployment figures. One anchor maintains a neutral expression while the second wears a yellow sad face mask. Papers rest in their hands as the desk displays the word NEWS in large letters. A speech bubble announces the upcoming report on economic conditions. The image reflects public attention on recent jobs data and price trends during that period.
Arcadio Esquivel's cartoon presents three SALIDA doors with symbols of exile plane, prison bars, and coffin, faced by a mustached man. It captures dire choices in clean lines, fitting tags like Maduro, Venezuela, dictator. Dry humor underscores power's limits, primed for syndication.
Gary McCoy's cartoon from 2025 divides the frame into two scenarios on radicalization. On the left, a figure in a cap holds a sign declaring 'I ♥ Jesus!' under the label 'When a Christian becomes radicalized...'. The right side shows a sunglasses-wearing man with a rifle emitting smoke, gripping a yellow sign that reads 'CHARLIE KIRK IS A FASCIST!' labeled 'When a liberal becomes radicalized.'. Tags like MAGA, Jesus, radicalized, Christian, liberal, Charlie Kirk, gun control, mental health, religion, Donald Trump, social media, and science frame the visual commentary. The piece highlights perceived disparities in how extremism manifests across ideological lines, with the Christian side shown as affectionate and the liberal as potentially violent.
Pat Bagley's cartoon skewers Kash Patel in his imagined role as FBI director, standing at a podium labeled 'DIR. PATEL' and 'F.B.I.,' emphatically demanding 'Give CREDIT FOR CHASING DOWN A DANGEROUS FUGITIVE!' while pointing thumbs at himself. A uniformed officer on the right mutters 'His Dad,' undercutting the boast with simple truth. On the left, another suited figure looks on with a skeptical expression. The scene captures national security bluster in a MAGA GOP context, tying into tags like Charlie Kirk, assassination, and Donald Trump. The dry humor targets elections, government, and social media influences, poking at perceived idiocy and lies in political figures. Caglecartoons.com branding and the artist's signature add authenticity to this satirical take on power and credit-grabbing.
This political cartoon features a Supreme Court justice kneeling before an ice chest, symbolizing a critique of the justice system through humor. The use of an ice chest in the cartoon serves as a metaphor for the cold, perhaps unchanging nature of judicial decisions. By employing political satire and judicial humor, the cartoonist offers a humorous yet pointed commentary on the current state of the justice system.
On September 6, 2025, Patrick Chappatte depicts Xi Jinping, Vladimir Putin and Narendra Modi forming an alliance explicitly aimed at Donald Trump. The red banner above them reads Alliance of Those Pissed Off by Trump. Modi suggests Canada may join next. The scene places the three leaders at the center of a building entrance with other figures in the background. The cartoon highlights tensions in international relations tied to recent U.S. policy shifts under Trump.
A drawing dated September 2, 2025, shows the White House with a figure leaning from an upper window. A rolled U.S. Constitution, gavel, and other objects fall toward the ground. The scene centers on the building's facade, balcony, and columns. The title references democracy in freefall. The image includes the artist's signature at lower left.
