A Ukrainian drone stands atop the winners podium wearing a crown. The aircraft displays the blue and yellow national flag on one wing. The image places the drone on the highest platform marked with the number one while the second and third places sit empty.
The image shows a crowned Statue of Liberty figure standing in water while holding a sign announcing a Supreme Court ruling that denies temporary protected status to Haitians and Syrians. The pedestal inscription is altered from the traditional poem. A boat carrying people approaches the shore against a city skyline. The date of publication is June 28 2026.
A crowned Statue of Liberty figure stands in water holding a sign citing a Supreme Court decision that denies temporary protected status to Haitians and Syrians. The pedestal inscription is altered to read give me your tired your poor your huddled masses yearning to breathe free. A small boat carrying people approaches from the right amid a city skyline.
On June 27, 2026, a political cartoon depicts a crowned Statue of Liberty figure holding a sign announcing the Supreme Court decision denying temporary protected status to Haitians and Syrians. The pedestal inscription is altered to read an incomplete version of the traditional welcome. A boat carrying figures approaches in the background near city buildings.
The May 2026 cartoon by Bill Day depicts the U.S. Supreme Court building painted red with MAGA letters dominating the pediment. A figure labeled Jim Crow appears on the left beside a crowned seated person. A speech bubble from the bird reads AIN'T IT PURDY! The frieze text EQUAL JUSTICE UNDER LAW remains partially visible beneath the new lettering. The image ties recent redistricting and voting rights debates to historical racial restrictions.
Pat Bagley's cartoon shows JD Vance dressed as Jesus, labeled 'VANCE,' swinging a massive wrecking ball to shatter a brick wall marked with signs pointing to 'STATE' and 'CHURCH.' He shouts 'STAYETH IN THY LANE!' at a figure resembling the Pope, who holds an olive branch and dove, symbols of peace. In the background, the U.S. Capitol flies an American flag, while a church with a cross represents the Vatican. Tags like war, peace, JD Vance, religion, Trump, and scripture underscore the satire on blurring lines between church and state, with Vance enforcing boundaries ironically through destruction. The image critiques political figures invoking religion amid Capitol politics.
This political cartoon splits into two scenes: top shows astronauts in orange suits, one with NASA patch and another with Canadian flag, waving and exclaiming 'IT'S A PARADE! HOW MARVELLOUS!' as they march from a crashed, smoking NASA capsule in water on a sandy surface. Below, a group carries a regal throne with a crowned figure wearing a T medal, surrounded by confetti and banners reading 'MASSIVE' and 'VICTORY'. In the background, smoke rises from a fractured globe labeled 'Iran' and 'Iraq'. The artwork, signed by MacKay for The Hamilton Spectator, uses humor to juxtapose apparent failure with proclaimed triumph, featuring waving figures and stern expressions in a sandy landscape.
The April 2026 cartoon depicts the Four Horsemen of the Apocalypse marching forward during NCAA Final Four season. Their presence highlights how international conflicts eclipse traditional sports focus. A speech bubble expresses longing for basketball-only coverage while bystanders observe the shift.
This sharp political cartoon captures the essence of executive overreach, with a fighter jet dubbed 'Epic Fury' zooming past US Congress, discarding war powers documents like confetti over flyover country. The torn US Constitution riddled with bullet holes symbolizes the erosion of constitutional principles amid unchecked military actions. Tags like political cartoon, war powers, US Congress, flyover country, US Constitution, and executive power underscore the satire on how presidents often sidestep legislative approval for wars, leaving the heartland—flyover country—to bear the brunt. It's a humorous yet insightful critique of the power imbalance in Washington, where the Capitol is just a scenic detour on the path to conflict.
Sean Delonas captures Donald Trump as a rotund king lounging on a throne in a dimly lit castle hall, complete with a bishop crowning him with a glowing crown and a scepter in hand. Surrounded by medieval figures like guards, a jester, and courtiers, Trump faces a modern reporter wielding a microphone and notes, demanding to know what gives him the right to just attack other nations. The cartoon blends historical pomp with contemporary critique, tagging into Trump, wars, Iran, Venezuela, press, king, media, counterterrorism, military, policy, and president themes. The dry humor underscores the absurdity of unchecked power, with the artist's signature style emphasizing exaggerated features and satirical edge.
Milt Priggee's cartoon presents a plain white toilet elevated to regal status with a multicolored crown sparkling atop a golden 'T', and a flowing red cape over the seat, directly tying into tags like Trump, president, throne, video meme, king. The image avoids any figures, focusing solely on the object to convey its message through obvious symbolism. Such cartoons often poke fun at power, here blending bathroom humor with notions of monarchy. The artist's signature and website appear clearly, grounding the work in professional syndication circles. Editors see these as quick hits for virality, especially when current events align with tags involving Trump and presidential satire. The dry wit shines through the minimalism, making it shareable across platforms.
Manny Francisco's cartoon depicts a playing card with 'T' and diamond symbols, featuring a caricature of Trump as a naked, crowned king making an OK gesture, complete with a red tie and body hair details. The bottom label #NoKings ties into themes of rejecting monarchy. Tags such as trump, king, card, crown, nudity, and satire highlight the image's commentary on power. This straightforward illustration uses simple lines and bold colors to deliver its message. Newspapers often run such cartoons for their timely humor, though the nudity might limit some placements. Overall, it captures a dry take on political figures aspiring to unchecked rule.
Dave Whamond's cartoon titled 'The Man who would be king' captures a caricatured Donald Trump donned in regal themes, complete with crown and red robe, wielding a scepter. A subservient, bald figure with pointy ears bows and praises the 'Great Halloween Costume, Boss!' while Trump retorts 'What Halloween Costume?' The image tags highlight themes of No Kings, Trump wants kinglike powers, and concerns over constitution and democracy. It satirizes ideas of president transitioning government into a monarchy, with elements of shutdown, taking control, and totalitarian state. The humor lies in Trump playing dress up yet denying it's a costume, symbolizing real aspirations for kinglike authority.
On October 21 2025 Donald Trump appears at the controls of a yellow excavator that is tearing down the White House. Debris scatters across the foreground while a large brown cloud expands from the left. A small jet marked with a crown sits on the ground near the wreckage. The scene is labeled Trump’s America at the bottom.
On October 21 2025 a political cartoon by Margolis and Cox depicts a Democratic donkey at a doorstep offering candy to figures resembling Barack Obama and Joe Biden dressed as kings for Halloween. The donkey exclaims approval of the costumes while one king questions the term. The image references the No Kings theme and critiques Democratic support for prominent leaders amid ongoing political debates.
