A flowchart circulating in political circles outlines a narrow path to Supreme Court nomination that begins with questions about race, gender and religion. The diagram routes only white male Mormons to the top position while directing others toward university presidencies. Three figures in the image voice opposition to diversity initiatives. The piece responds to ongoing debates over judicial selection standards and identity considerations in appointments. It takes the position that such rigid criteria undermine broader merit-based processes.
A man in a white shirt reading I LOVE PEACE absorbs a punch to the face from a man in a black shirt reading I LOVE WAR. The two figures clash in a physical fight marked by impact sounds and motion lines. The scene shows the peace advocate recoiling with wide eyes while the war advocate maintains an aggressive forward stance.
A political cartoon depicts two older senators outside the United States Senate building. One man holds a phone and tells the other that he is never too old to make a proof-of-life video. The exchange occurs amid visible columns labeled United States Senate. The image addresses persistent public questions about the advanced age of many sitting senators and their capacity to serve. No specific legislation or recent vote is shown. The visual focuses on the routine nature of such concerns within Congress.
The drawing shows a prominent yellow sign reading Antifa World HDQ positioned before a cluster of tall city buildings. Two figures in the foreground point toward the sign from behind tall grass and palm trees, with a speech bubble stating SEE, WISE GUY!! The scene presents an urban setting with the sign as the central element.
A portrait labeled Lindsey sits on an easel beside a casket while two men in dark suits stand behind it. One delivers a speech bubble line calling for a quick burial before the deceased can change his mind. The July 2026 image uses the funeral setting to comment on political indecision.
A grocery store scene shows two men reacting to a severe stomach bug outbreak sign by vowing to shop only in the soda, candy and chips aisles. The July 2026 cartoon captures consumer caution during a public health scare affecting produce purchases.
On July 9 2026 Donald Trump is shown crawling across the floor toward a golden trophy marked Golden Ass 2026. Two other men in business attire lean over him with shirts raised exposing their midsections. The scene places the trophy just out of reach as Trump extends one hand forward.
Donald Trump appears asleep at the head of a long conference table while sheep dressed in business attire occupy the surrounding seats. A speech bubble above the scene asks what about cabinet meetings keeps putting him to sleep. The July 2026 image from Steve Sack depicts the president in a blue suit and red tie with eyes closed and head tilted. The setting shows a formal room with arched doorways and a large wooden table. Text at the bottom includes the artist's signature and website links.
The cartoon depicts two Native Americans on a shoreline observing an approaching sailing ship. A speech bubble from one figure references the 14th Amendment and hypothetical removal of arrivals. The scene ties into ongoing discussions of birthright citizenship and the amendment's scope as of mid-2026.
Two figures stand at a railing and react to news of a Trump peace deal with Iran. The first points out an odd smell while the second attributes it to burning pants. The exchange occurs in two stacked panels with speech bubbles capturing the dialogue. The scene responds to recent claims about negotiations involving Iran. Publication occurred on June 26 2026.
On June 26 2026 two figures appear in a three-panel exchange. The left panel shows a man in a maple leaf shirt noting renewed talk of Canada as the 51st state. The middle panel features a second man calling the notion complete rubbish. The right panel continues the exchange with the second man counting Greenland Cuba Venezuela Gaza and Alberta as prior additions that would make Canada the 56th state.
