The cartoon depicts a doctor examining the Statue of Liberty's blood pressure and noting numerous critical issues. The Statue responds with hope that things will improve in November. A sign references July 4, 1776, and a broken torch rests on the ground. Published on September 15, 2026, the image uses the iconic figure to comment on the state of the nation ahead of upcoming elections. The visual metaphor highlights concerns about American institutions and public sentiment.
A political cartoon published July 21, 2026, depicts a fighter jet marked Iran launching a barrage of missiles while a speech bubble from the cockpit reads OK, SO I LIED. A sign overhead labels the scene The No-War President. The image responds to recent reports of U.S. military action against Iran that contradict earlier campaign assurances against new conflicts.
A crashed aircraft labeled US-Iran Ceasefire lies in desert sand with rising smoke. The pilot, visible in the cockpit, asks what comes next after the agreement fails.
A beehive labeled Ukraine releases a dense swarm of bees that engulfs a distressed shirtless figure marked with red spots. The figure raises hands to its head as a drone hovers nearby and a broken object bearing a Z rests on the ground. The scene responds to ongoing Ukraine-Russia tensions active in early July 2026.
Multiple figures resembling Donald Trump carry a large white flag on a pole while walking across a field of rubble toward a wooden sign labeled Iran. The group advances from left to right under a dark sky. Each figure wears a dark suit with red tie and appears in similar pose holding the flag staff.
Wireless networks face mounting pressure from rising demand and aging infrastructure, leaving users stranded when signals falter. A dead phone battery compounds the isolation during outages. The piece frames this as a cautionary view of overreliance on fragile digital systems that can collapse without warning.
The cartoon depicts a classical building labeled 'World Order' being demolished by a yellow crane's wrecking ball, with debris scattering below and a prominent sign announcing 'Here Comes the Big, Beautiful, Trump Ballroom.' Tags like world order, NATO rift, allies, unreliable, chaos, and tariffs underscore the imagery of disruption. The scene captures a straightforward visual metaphor for upheaval, with broken columns and rubble emphasizing destruction. No characters appear, keeping the focus on structural collapse. Europe and Asia tags suggest broader implications, while the dry humor lies in rebranding ruin as a luxurious ballroom. Oil prices and economy tags tie into the fallout, making it a pointed commentary on global shifts.
On March 30 2025 the Boston Globe published a cartoon by Christopher Weyant showing RFK Jr. in an HHS uniform walking away from home plate with an axe while a teammate holds a shattered bat. The catcher delivers the line about hitting more with less. The image responds to proposed cuts and staff reductions at the Department of Health and Human Services during the early months of the second Trump administration.
A rooster stands holding a flashlight while addressing several hens seated around a small fire in a wooded setting. Scattered eggs rest near the logs. The caption quotes a voice from the coop about breaking eggs to make an omelette. The scene shows the birds in a circle with the rooster as the central speaker.
