Gloria Steinem remains a central figure in American feminism decades after her rise to prominence. Her work helped popularize second-wave ideas on equality and reproductive rights. The image places her on a stack of landmark feminist books to underscore her connection to that intellectual tradition.
Ongoing conflict in Gaza continues to draw international attention to civilian casualties and restrictions on reporting. The piece responds to persistent calls for attention amid claims of media and global silence. It positions the mute symbol as a direct critique of inaction on reported suffering. The editorial stance emphasizes the need to break that silence and acknowledge the human cost in the region.
South African police units in KwaZulu-Natal face renewed scrutiny over alleged involvement in gang violence and drug trafficking. Reports detail SAPS members participating in hit squad actions against rival groups while profiting from tow truck schemes and drug incentives. The pattern raises questions about institutional oversight in high-crime provinces. The editorial takes the position that such collusion undermines public safety and demands immediate accountability from national leadership.
A series of panels depicts rows of figures wearing sunglasses in varying hues. The images suggest that personal filters shape what people see and react to. The final panel introduces a multicolored figure that stands apart from the rest. The work comments on how individual perspectives diverge even within similar groups. It highlights the contrast between uniform appearances and sudden breaks in pattern.
Nicaraguan President Daniel Ortega has publicly stated there will be no more elections, a move that solidifies his long-term grip on power. The declaration comes amid ongoing concerns over democratic backsliding in the Central American nation. This development matters because it removes any remaining avenues for political opposition and citizen participation in governance. The accompanying editorial takes the position that Ortega's action represents a deliberate destruction of democratic institutions rather than a legitimate policy choice.
Canadian wildfire smoke continues drifting south while a cyclospora outbreak raises separate public health alarms. The overlapping crises prompt discussion of unintended consequences from environmental events. The piece presents a grimly optimistic take on the smoke's possible effect on the stomach bug.
A trans athlete wearing a tank top with the transgender pride flag colors lunges forward on a podium labeled Title IX, displacing other competitors. Female athletes wearing medals stand on the structure with arms raised or extended in reaction. The scene shows one competitor with braided hair in green shorts and another with blonde hair in yellow shorts. A smaller figure in blue shorts appears behind the main action. The image was published on July 1 2026.
The image shows Earth with an angry expression speaking to the Moon about replacing humans with dinosaurs. The scene responds to ongoing environmental concerns around human impact on the planet as of late June 2026.
The image presents a bald man wearing a blue FIFA goalkeeper kit and oversized yellow gloves. He stands centered in a soccer goal with multiple burlap sacks printed with dollar signs placed on the field grass nearby. The scene responds to ongoing discussions about FIFA revenue from the upcoming World Cup hosted in the United States. Publication occurs ahead of the 2026 tournament schedule. The visual emphasizes financial flows connected to American soccer markets under current FIFA leadership.
A drawing depicts a U.S.-labeled figure in a dramatic pose yawning at a paper announcing an Ebola global emergency. The scene references recent health alerts involving outbreaks in Africa. The image highlights perceived U.S. indifference to the declaration from international health bodies. Publication occurs on June 5, 2026, during ongoing discussions of pandemic preparedness involving agencies like the CDC.
The cartoon shows a 2026 graduate caught between an AI alligator on the left and a student loans alligator on the right. Both creatures stand on green grass with open jaws. The graduate wears a black gown, blue socks and a mortarboard. Text labels identify each alligator clearly. The scene is simple with no additional figures or objects visible.
Dive into this political cartoon Trump moon masterpiece where the full moon sports a grinning caricature of Trump's face, complete with signature hair and smirk, against a purple sky. Silhouette figures below, one pointing, react via speech bubble questioning if Artemis mission satire involved laser engraving his likeness. Trees and a house add earthly contrast to the lunar oddity. This Trump face engraved on moon gag pokes fun at ego-driven space ambitions, blending humorous political satire with artistic flair. The Donald Trump space program parody captures timely irreverence, making it a sharable gem for satire lovers.
Dave Granlund\'s cartoon captures the absurdity of potential toilet glitch in the Artemis mission around moon, showing astronauts drifting toward a floating porta-potty labeled as Plan B for future Artemis toilet problems. The scene includes a spacecraft, the moon below, and Earth in the background, highlighting backup plan necessities in space travel. With tags like mission around moon, astronauts, toilet glitch, alternate, and one toilet, the image pokes fun at logistical challenges in lunar expeditions. Such humorous takes remind viewers of the everyday hurdles even in high-tech endeavors like NASA\'s Artemis program.
This political cartoon depicts green aliens on a sandy, moon-like surface, with one holding a \'NOT FOR SALE\' sign in red letters, facing a flying spacecraft adorned with an American flag and solar panels. The starry night sky background enhances the space exploration satire, while the trail behind the ship suggests approach. Incorporating elements like cartoon monsters, property rights protest, and US imperialism humor, the image offers an irreverent take on cosmic real estate. The artist\'s signature in the bottom left adds authenticity to this insightful editorial illustration, poking fun at human ambitions in outer space.
The cartoon depicts a boxing ring where Uncle Sam, wearing a top hat and patriotic shorts, advances aggressively, punching a referee in striped shirt who clutches a white dove. The referee's arm extends to halt the fight, but Uncle Sam shouts 'BACK OFF! I'M BETTING AGAINST YOU!' Meanwhile, the opponent, labeled 'Iran' with a nuclear symbol on his back, sprawls knocked out on the canvas. Stars indicate the impact. This setup uses boxing metaphor to satirize US foreign policy toward Iran, portraying America as betting against peace interventions, possibly represented by the dove-bearing referee. The artwork by Margolis & Cox captures tensions with dry humor, emphasizing unchecked aggression in international relations.
