This satirical political cartoon depicts a bizarre lunar scene where a green alien is climbing a gushing oil derrick, tethered by rope to a spacesuit-wearing figure holding a 'TACO' sign. The backdrop includes a cratered moon surface, a starry sky, and a blue planet, with the white rocket labeled 'ARTEMIS 2 MAGA OIL MOON' emitting green smoke. A ladder leans against the rocket's open door, and a black barrel sits nearby. The imagery humorously critiques ambitious lunar exploits, blending space exploration with oil drilling fantasies in a visually striking composition that highlights the absurdity of extraterrestrial resource grabs.
Dave Whamond's political cartoon depicts a group of military officials in a war room, gathered around a map with toy ships, discussing a chain of distractions starting from attacking Cuba to cover needless attacks on Iran, which distracted from Venezuela, looping back to Epstein Island. The scene captures the absurdity with one figure pointing at the map and another expressing confusion over 'needlessly attacking.' This satirical illustration uses dry humor to comment on convoluted military strategies and political diversions, incorporating elements like crossed-out 'War' sign replaced by 'Military Operation Room' for added irony. Tags like political satire, war distractions, foreign policy cartoon, Epstein Island reference, military humor, and endless distraction chain emphasize the cartoon's sharp critique.
Dave Whamond's political cartoon splits into 'Then' and 'Now' panels, showing Baghdad Bob in military garb proclaiming Baghdad's safety and ongoing victory, dismissing liars. On the right, a Trump-like figure dubbed Tehran Trump, wearing a beret and suit, declares Iran obliterated and battle over, again urging disbelief in liars. The satire underscores parallels in propaganda and denialism, with tags like political satire, Trump caricature, Iraq War reference, Iran conflict, misinformation leaders, and historical parallel. This visual commentary critiques how figures twist realities in wartime narratives, blending dry humor with sharp observation on political exaggeration.
Donald Trump stands on the left in a dark suit with red tie and points both hands toward Uncle Sam. Uncle Sam wears a starred vest and striped pants while being drawn toward a large metal trap labeled Iran War. Trump speech at top reads WE WON!! SO, WHY AREN'T YOU JUMPING FOR JOY?! Uncle Sam replies with a profanity bubble. Bottom text includes WE ARE GETTING SCREWED.ORG and site credits. The March 2026 image centers on the Iran conflict reference and the figures' interaction.
The image shows Donald Trump on the White House balcony next to an aide while a large wooden horse on wheels occupies the foreground. A speech bubble poses a question about a secret gift from Iran. The scene references ongoing Middle East tensions and negotiations as of the March 2026 publication date.
A cartoon depicts a big tech leprechaun atop a pot labeled local revenue under a rainbow of data center hype. The figure tells a resident that the promised funds will be needed to cover higher power bills driven by data center electricity demand.
A political cartoon dated March 17, 2026, depicts a Big Oil executive reclining amid stacks of cash and coins. The figure, labeled BIG OIL, thinks that the Iran war should never end. Smoke rises in the background over a landscape of dollar bills. The image responds to ongoing concerns about oil industry gains during Middle East conflicts.
Dave Whamond's cartoon captures Trump in a classic pose, holding up a blueprint riddled with tags like vanity project, monstrosity, Trump obnoxious Trump sign, gaudy fountain, hideous decor, golden drapes, soulless conference space, and repeated calls for more gold. The scene unfolds with Trump enthusiastically describing a very deep hole for his big beautiful ballroom, emphasizing his love for golden drapes. A female reporter, microphone in hand, points out the mismatch, stating she asked about the plan for the war he started. This setup skewers Trump's apparent lack of strategy, turning serious inquiries about Iran war, no endgame, quagmire, military campaign, regime change, and improvising into a punchline about frivolous vanity. The dry humor lands on the contradictions, with Trump's focus on gaudy aesthetics over critical issues like troops in danger and boots on ground.
This biting political cartoon depicts Kristi Noem as an oversized cowboy hat swallowing a diminutive figure labeled 'NOEM,' with the punny title 'All Hat And No DHS.' It skewers the South Dakota governor's rumored bid for DHS Secretary in the Trump administration, playing on the idiom 'all hat and no cattle' to suggest she's all style and no substance for homeland security. Amid Republican politics buzz, the satirical art highlights Noem's political ambition clashing with reality, as border security and immigration policy debates rage on. The humorous critique captures the essence of GOP figures jockeying for positions, making it a viral-worthy jab at cabinet rumors and failed aspirations.
