During the 2006 midterm election cycle both major parties traded accusations with Republicans pushing unsubstantiated claims to sway voters and Democrats facing repeated communist labels from opponents. The dynamic reflected long standing partisan efforts to undermine credibility through exaggerated rhetoric rather than policy debate. The piece argues these tactics undermine fair elections and deserve rejection by voters.
A July 2026 cartoon by Dick Wright depicts the Democrat Party's big tent claim through an inset donkey figure. The main character, also a donkey in a suit, gestures amid a cloud of labels naming groups such as communists, antisemites, Nazis, rapists, Antifa, racists, and election cheaters. The image critiques the party's inclusivity rhetoric by associating it with these categories. Publication occurs amid ongoing partisan debates over party platforms and voter bases.
A four-panel illustration titled Big Wide Open Spaces places Death Valley, Utah Salt Flats, and the Grand Canyon next to the Great American State Fair. Each panel shows wide horizons in the natural settings while the fair panel includes a Ferris wheel, entrance gate, and tents. The comparison highlights scale differences between remote landscapes and a populated event ground. The piece appeared online on July 2, 2026.
The July 2026 cartoon depicts a figure resembling President Trump in two panels. The left shows praise for CUSMA as the best trade deal. The right shows the same figure reading a newspaper headline about declining to renew it. The visual points to a shift in position on the agreement covering Canada, the US, and Mexico.
A Terminator-style robot marked Big Tech clutches a child labeled Future Gen. in a scorched landscape. The child holds a smartphone. A woman resembling New York Governor Kathy Hochul stands nearby, raising a finger and declaring that lawmakers passed a measure to flag AI actors in advertisements.
On June 16, 2026, the Margolis & Cox cartoon depicts Uncle Sam and an Iranian leader juggling grenades while a peace dove is struck mid-flight. The image responds to ongoing US-Iran tensions over nuclear issues and regional conflicts in the Middle East. The visual shows the two figures facing each other with outstretched hands as explosives arc between them. A wounded dove drops its olive branch above the scene. The cartoon highlights the precarious nature of diplomacy between Washington and Tehran at that moment.
