beyond
Feb
20
2019
Steve Sack draws an infinity snow cartoon where a bundled-up character pilots a red snowblower along a massive infinity symbol sculpted from snow, with snowflakes dotting the blue sky. The endless snow removal setup delivers perpetual winter humor, as the figure's downcast expression underscores the futility. This Minnesota-based satire from the Star Tribune captures the relentless nature of blizzards, turning seasonal drudgery into visual wit. Infinite snowfall becomes a loop of comedy, perfect for sharing amid winter storms. Sack's clean lines and simple composition make the infinity loop a standout symbol of never-ending chores.
Feb
7
2019
Arcadio Esquivel's 2019 cartoon depicts a suited figure labeled under maduro,venezuela,power,venezuela-power tags, seen from behind in four panels. First panel shows one arm detaching with a pointed finger. Second has both arms off, one falling, the other on the ground. Third panel features arms and one leg severed, figure balancing on one foot. Final panel presents the torso seated amid detached limbs, all ends red like meat. The sequence runs from 'Maduro the day before yesterday' to 'Tomorrow,' capturing a progressive dismemberment in dry, straightforward satire typical of political cartoons.
Jan
28
2019
Arend van Dam's 2019 cartoon captures the Venezuela crisis with a sinking ship named Venezuela, a man in a sash shouting 'I am your captain' from the top, while figures cling to the tilting deck and others flail in the water. The image uses the tags Venezuela, Maduro, dictator, interim president, Juan Guaidó, national assembly to highlight the political turmoil. The ship's bow points upward, with a periscope-like structure in flag colors, emphasizing the obvious metaphor of a nation going under. People on the deck hold on desperately, and swimmers raise arms, all drawn in simple lines against a blue sky and green sea. This straightforward satire avoids subtlety, making the leadership failure clear without added context.
Sep
28
2018
The cartoon shows Senator Lindsey Graham transformed into the Hulk, ripping through his suit with an angry expression. Two smaller figures stand to the right holding a paper. The scene references the 2018 Brett Kavanaugh Supreme Court nomination process. Graham, a key Republican on the Judiciary Committee, defended the nominee during contentious hearings. The visual uses the Hulk metaphor to illustrate Graham's forceful response to opposition.
Nov
28
2017
Rayma Suprani's 2017 cartoon captures the essence of dialog in Venezuela under Maduro, showing a man's head with black hair and mustache, his mouth transformed into prison bars containing numerous reaching hands. The red shirt and intense expression underscore the theme of repression. Tags like Venezuela, Maduro, dialog weave into this visual metaphor, where hands strain against confinement, illustrating how political talks trap voices. The artwork's simplicity amplifies its satirical punch, a hallmark of Suprani's style in critiquing authoritarianism. Political cartoons like this one from PoliticalCartoons.com highlight ongoing struggles in Latin America, blending humor with stark reality.
Apr
12
2017
Rayma Suprani's cartoon shows Venezuela's flag with a fishing line from stars hooking a cracked egg figure with mustache and pig nose, yolk spilling out. It captures satire without words, using tags like Venezuela, Maduro, and political crisis for clear impact.
Apr
29
2016
Dave Granlund's cartoon features Mother Nature, with a flower crown and green toga labeled 'Mother Nature,' expressing frustration over a non-recycled Mother's Day card pulled from a mailbox. Two rabbits watch as she holds the card reading 'For a Special Mother' and an envelope, surrounded by grass, flowers, and a tree branch. The speech bubble demands 'WHY ISN'T THIS ON RECYCLED PAPER ?!' Tags like mothers, mothers day, environment, recycle, recycled paper, and trees underscore the environmental message in this 2016 piece, blending holiday sentiment with a call for sustainability in greeting cards.
Apr
27
2016
Dave Granlund's cartoon captures a poignant moment for moms in the US military, showing a deployed soldier in camouflage uniform on her bunk, surrounded by items from a care package. She holds a pink teddy bear and reads a yellow card saying 'Miss You Mom' with a heart, while a framed photo of two smiling children peeks from the APO-labeled box. The image highlights themes of mothers day, overseas deployment, and family separation in the armed forces, with tags like reserves, guard, and kin emphasizing the personal costs of service. This straightforward depiction avoids exaggeration, focusing on the quiet reality of missing home during assignments.
