bad hair day

No prize for the president
NO PRIZE FOR THE PRESIDENT by Jeff Koterba, politicalcartoons.com
Sep
27
2025
Kash Patel Depiction Spotlights Call for Epstein Files Release
KASH PATEL by Taylor Jones, politicalcartoons.com
The image centers on Kash Patel with exaggerated features and a fly positioned on his nose. The fly carries a speech bubble reading RELEASE THE FILES. The composition places the figure against a plain background with yellow shading around the head. Publication occurred on September 27 2025 during discussions of FBI leadership and document disclosures tied to prior investigations. The visual links Patel to ongoing questions about files from the Epstein and Maxwell cases under the Department of Justice.
Trump Boasts at Royal Dinner While Dismissing Palestinian Statehood as Mere Symbolism
TRUMP DOWNPLAYS SYMBOLIC PALESTINE STATEHOOD by Graeme MacKay, politicalcartoons.com
Graeme MacKay's cartoon captures a state visit dinner scene with figures at a table adorned with candelabras, where a caricature resembling Donald Trump boasts about unique accomplishments. The lower panel shifts to a United Nations setting with a banner reading 'Recognizing Palestinian Statehood,' showing delegates toasting, while outside, Trump and another figure, addressed as Bibi, dismiss the event as meaningless symbolism. Incorporating tags like Allies, Palestine, United Nations, Statehood, Recognition, and Peace, the artwork highlights contrasts in diplomatic perceptions. The composition uses split panels to juxtapose formal pomp with cynical realpolitik, emphasizing themes of symbolic gestures versus substantive policy in the Israel-Gaza conflict context.
Sep
18
2025
King Charles and Trump Don Royal Crowns in Satirical Visit Cartoon
ROYAL VISIT by Rayma Suprani, politicalcartoons.com
The image shows two figures dressed as kings, one resembling King Charles with a sad expression and large ears, the other like Trump with blonde hair, orange skin, and a frowning face. Both wear white robes with black spots and red undersides, holding scepters. Crowns top their heads, with Trump's featuring a circled 'C'. Tags like King, Charles, UK, Trump, Visit frame this satirical take on a royal visit, poking dry fun at the unlikely duo in political cartoon form. The artwork by Rayma Suprani keeps it straightforward, emphasizing visible caricatures without hidden layers.
Sep
18
2025
Trump and King Charles: A Royal Handshake in Satirical Splendor
UNITED KINGDOM by Becs, politicalcartoons.com
This political cartoon captures a moment of satirical diplomacy between caricatures of King Charles and Donald Trump, both donned in ostentatious royal garb. The Trump figure sports a crown emblazoned with 'Ke America At Again,' a clear nod to his famous slogan, while shaking hands with the stern-faced King Charles. Set against a simple background, the artwork highlights themes of US-England relations, Europe-US tensions, and the pomp of leadership. The dry humor underscores the absurdity of political ostentation in the reign, blending American bravado with British tradition in a straightforward line drawing by Becs. Tags like Donald Trump Administration, King Charles, and ostentation in the reign frame this piece as timely commentary on transatlantic ties.
In this cartoon tagged Trump, King Charles, and UK, a robed figure resembling Trump stands over a kneeling royal while holding a crown.
Marian Kamensky, Austria
The cartoon shows a blonde man in a white robe and flip-flops, puffing smoke, standing on grass with a glowing triangular light overhead. He holds a small crown toward a kneeling figure in purple robes, crown, and red cape on a red carpet. London icons like Big Ben, the Gherkin, and London Eye fill the dark sky background. Tags such as Trump, King Charles, UK, Fascism, God, and Visit frame this direct visual. The scene stays straightforward, with no hidden layers beyond the visible elements. Kamensky's style keeps it clear, poking at power dynamics without overcomplicating the obvious setup.
This cartoon mocks inefficient FBI through Kash Patel ordering food at RAOS restaurant amid a congressional hearing vibe.
by Randall Enos, politicalcartoons.com
Randall Enos draws Kash Patel at work in this two-panel cartoon, where a subordinate asks for orders from Director Patel, only to cut to a restaurant scene at RAOS with a food order for porterhouse with peas and prosciutto. The tags highlight inefficient FBI, charlie kirk assassination, and congressional hearing elements, delivering dry humor on leadership mix-ups. Visible elements stick to the pun on 'orders,' avoiding deeper speculation, while the artist's style brings straightforward satire to government roles. This piece fits political cartoon syndication with its timely jab at figures like Kash Patel.
Kid aspires to be just like Giuliani
KID ASPIRES TO BE JUST LIKE GIULIANI by Monte Wolverton, politicalcartoons.com
US foreign policy in a spot
US FOREIGN POLICY IN A SPOT by Paresh Nath, politicalcartoons.com
Trump equates trade deficits to unpaid credit card bills in new cartoon
TRUMP'S UNDERSTANDING OF TRADE DEFICITS by Dave Whamond, politicalcartoons.com
The August 2025 cartoon by Dave Whamond depicts Donald Trump misunderstanding trade deficits by comparing them to an unpaid credit card bill. Trump complains that companies have been ripping the US off for years and none have bought anything from him. The scene uses a domestic table setting to highlight the former president's focus on imports over balanced trade metrics like exports of goods and services.
Trump's Take on Homelessness: Out of Sight, Out of Mind
TRUMP AND THE HOMELESS by Pat Bagley, politicalcartoons.com
Pat Bagley's latest piece captures a stark contrast in this Trump homelessness cartoon, where a caricature in a blue suit and red tie gestures furiously at a cluster of makeshift tents and huddled figures, declaring the scene obscene and demanding their removal. On the right, a long-haired, bearded man in a white robe and red sash extends a hand, advocating to get them help instead. The homeless crisis political humor underscores differing approaches to urban plight, with the Trump Jesus contrast cartoon highlighting themes of expulsion versus empathy. Such editorial cartoon homelessness policy works often spark debate on societal responses, blending sharp lines and simple composition for maximum impact in satirical take Trump compassion.
Scientists Mistake Strike Rumbling for Stomach at Fordow Site
TRUMP STRIKES FORDOW NUCLEAR SITE by Gary McCoy, politicalcartoons.com
The cartoon shows two technicians in white coats and hairnets inside the Fordow nuclear facility. They hold clipboards and face large cylindrical tanks. A speech bubble attributes rumbling sounds to stomachs rather than an external event. The top text sets the scene on June 22, 2025. The image responds to reports of a U.S. strike on the Iranian site using bunker buster munitions.
Trump Netanyah Iranwar BunkerBuster Nuclear Bombs
Emad Hajjaj, Alaraby Aljadeed newspaper , London
Jun
15
2025
Trump as the Naked King in Latest Political Satire
Vladimir Kazanevsky, Ukraine, PoliticalCartoons.com
Vladimir Kazanevsky's cartoon depicts a large, naked figure resembling Trump, crowned and tie-clad, holding a royal orb, striding forward. A smaller police-like character in a jester hat wields a dagger and affixes a rectangular sign to the figure's belly, which shows a hand with a dagger. The pink background and tags like trump, no kings, police, us armed forces, usa, protests suggest a commentary on authority. The image ties into themes of exposed leadership, with the naked king evoking classic tales, blended with modern political elements.
Jun
12
2025
The Dunce King: Trump Satirized with Crown-Topped Cap and Sharpie
Dale Cummings, Canada, PoliticalCartoons.com
In this political cartoon by Dale Cummings, a figure resembling Donald Trump sits atop a globe, dressed in a suit with a red tie, wearing a tall white dunce cap adorned with a red crown. He holds a red Sharpie aloft, with ink splatters emanating from it, suggesting a magical or foolish gesture. The image tags highlight Donald Trump, dunce cap, Sharpie, crown, and globe, capturing a satirical take on leadership. The composition places the figure centrally, emphasizing his grumpy expression and oversized features. This piece fits into broader political satire traditions, using exaggeration for effect. With elements like the globe as a seat and the hybrid hat, it combines symbols of power and folly in a straightforward visual punch.
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