The drawing contrasts a modest building labeled American Museum of Voter Fraud with a far larger ornate version of the same institution. This visual comparison addresses ongoing assertions about widespread voter fraud in recent U.S. elections. The disparity in scale suggests the volume of evidence does not match the prominence given to the claims.
On March 30 2021 artist Randall Enos depicted three Easter bunnies in an art gallery viewing eggs painted in styles reminiscent of Mondrian Kandinsky and Warhol. One egg incorporates a Coca Cola can. The rightmost bunny declares the works crap rather than art. The scene captures perennial debates over abstract versus representational forms during the Easter season when egg decoration traditions intersect with contemporary gallery culture.