A British redcoat in 18th-century uniform stares ahead while a diminutive Thomas Jefferson perches on his shoulder and displays a handwritten quote on liberty. The 2026 image pairs the founding words with the opposing military figure to underscore the contrast between authority and freedom.
The image shows the Statue of Liberty with her raised arm entangled in barbed wire that draws blood, holding a large red rose in place of the traditional torch. Her other hand covers her face as the New York skyline fades behind her. The work responds to ongoing debates over socialist symbolism in American public imagery on the June 2026 date. The visual replaces the torch with the rose, a traditional emblem of socialism, while the barbed wire suggests entrapment or harm. Artist credit appears in the upper right corner.
The cartoon depicts a beaver costumed as Ronald Reagan holding a prop head on a damaged porch while a clown stands nearby with a pumpkin bucket. Debris litters the steps after an apparent explosion inside the house. The beaver's shirt quotes Reagan against tariffs. The scene responds to recent Ontario ads criticizing proposed tariffs and their economic effects on Canada-US trade relations around late October 2025.
On October 21 2025 a political cartoon by Margolis and Cox depicts a Democratic donkey at a doorstep offering candy to figures resembling Barack Obama and Joe Biden dressed as kings for Halloween. The donkey exclaims approval of the costumes while one king questions the term. The image references the No Kings theme and critiques Democratic support for prominent leaders amid ongoing political debates.
A European-flagged cargo ship laden with export containers sails directly toward a 15 percent iceberg flying the American flag. Bold text above the scene reads TARIFFS RIGHT AHEAD. The image captures rising trade tensions between the European Union and the United States over new tariff measures scheduled for late July 2025.
The four-panel cartoon depicts a man in a green shirt repeatedly swigging from a bottle labeled booze, chugging beer from a can, and toking on a pipe emitting purple smoke. In the final panel he stands beside a red-haired woman with stars circling his head and says it is time to turn on the news. The sequence published July 18 2022 comments on habits of news viewers amid coverage from ABC NBC CBS MSNBC CNN and Fox. The artist uses simple line work and repeated onomatopoeia to show progression from sober to impaired. No specific political figure or breaking event is shown.
