The NFL is always ready for some football

Subscribers Only Content

High resolution image downloads are available to subscribers only.


Not a subscriber? Try one of the following options:

OUR SERVICES VISIT CAGLE.COM

FREE TRIAL

Get A Free 30 Day Trial.

No Obligation. No Automatic Rebilling. No Risk.

The other night the National Football League commandeered two hours of prime time on ESPN for what used to be accomplished in a minute or two with a fax machine — the release of next season’s schedule. It was underwhelming television, but in the NFL’s quest to make pro football a year-round attraction it was an important piece of a rather amazing marketing matrix.

Why would even the most dedicated diehards care about a schedule that doesn’t take effect until September? The answer involves a fast-growing style of fantasy football and sports wagering known as “best ball,” for which the betting windows are open 365 days a year, with multi-millions at stake.

Back in January, nearly two weeks before the Chiefs would defeat the 49ers in the Super Bowl to conclude the 2023 season, the leading company in best ball, Underdog Fantasy, began conducting tournaments for the following season. In other words, fantasy football competitors were drafting teams for games that were still nearly nine months away. And it wasn’t for small change: “The Big Board,” featured $2 million in prize money for a $10 entry fee, while “The Little Board” offered $150,000 in prizes for a $3 entry fee.

Matthew Berry, NBC’s top fantasy football analyst, said the ultra early gaming opportunity was certain to appeal to “fantasy football sickos of all shapes and sizes.”

In April, the NFL splashed its annual draft of college players over three days and two networks. The free event in Detroit set an attendance record with over 700,000 people spending an estimated $160 million at downtown businesses. Two days later, Underdog opened its flagship contest, “Best Ball Mania,” with 672,700 entries (up to 150 per person), each costing $25 (a $16.8 million take) with $15 million in prizes, including $1.5 million to first.

In best ball participants draft a team of NFL players, but unlike traditional leagues there are no in-season lineups, trades, or waiver wire pickups — in fact, there’s nothing for the entrant to do following the draft but sit and wait. A computer automatically selects each week’s optimal lineup after the games are played.

But knowing the schedule of games is a vital piece of best ball strategy —taking into account when teams have a bye week and and what the matchups will be in the final do-or-die weeks of the season.

For the NFL, which not too long ago rejected fantasy football and related types of sports gambling, best ball has emerged as a valuable tool in maintaining year-long fan interest. For sportsbooks, including Underdog, Yahoo, DraftKings and other providers, it’s the perfect product because millions of dollars are collected and held for as long as a year before winnings are paid out.

When Best Ball Mania opened, Mr. Berry’s colleague Peter Overzet spoke for the NFL and sportsbooks when he declared, “It’s Best Ball Christmas.”

Copyright 2024 Peter Funt distributed by Cagle Cartoons newspaper syndicate.

Peter Funt’s latest book is “Playing POTUS: The Power of America’s Acting Presidents,” about comedians who impersonated presidents.

In print and on television, Peter Funt continues the Funt Family tradition of making people smile – while examining the human condition.

After 15 years hosting the landmark TV series “Candid Camera,” Peter writes frequent op-eds for The Boston Globe and The Wall Street Journal.

Peter is a frequent speaker before business groups and on college campuses, using the vast “Candid Camera” library to bring his points to life. His newest presentation for corporate audiences, “The Candid You,” draws upon decades of people-watching to identify factors that promote better communication and productivity.

In addition to his hidden-camera work, Peter Funt has produced and hosted TV specials on the Arts & Entertainment and Lifetime cable networks. He also spent five years as an editor and reporter with ABC News in New York.

Earlier in his career, Peter wrote dozens of articles for The New York Times and TV Guide about television and film. He was editor and publisher of the television magazine On Cable. And he authored the book "Gotcha!" for Grosset & Dunlap on the lost art of practical joking.